Revolution in the making abstract sculpture by women 1947 2016
Half the world traces the ways in which women artists deftly transformed the language of sculpture to invent radically new forms and processes that privileged studio practice tactility and the artists hand the volume seeks to identify the multiple strains of proto feminist practices characterized by abstraction and repetition which rejected the singularity of the masterwork and rearranged sculptural form to be contingent upon the way the body moved around it in space the catalogue begins i